Review by Dr. Bob Hieronimus of “The Hobbit: The Desolation of Smaug” released in theaters on December 13, 2013
Our only complaint about this film was there was not enough screen time for the hobbit Bilbo. Other than that, we loved every minute of this film. Yes, it’s longer than it needs to be, but those of us who are diehard Tolkien fans simply relish every saturated moment we can get when we can pretend we are actually in Middle Earth.
So in stretching The Hobbit novel into three long films, it makes perfect sense to me that the addition of a kick-ass, arrow-slinging elf played by the adorable Evangeline Lilly was a good way to do it. Interesting trivia note, in this film Evangeline Lilly plays the love interest of Orlando Bloom’s character, while when she worked on Lost she became the real-life love interest of Dominic Monaghan, the actor who played Merry in the original Lord of the Rings trilogy.
Because the character of Bilbo Baggins is the only hobbit seen in this second part of the Hobbit trilogy, I wish he’d been given more lines and there had been more revealed about how hobbits differ from the other races. These differences are some of the most charming and driving elements of the novels, and the only essence I felt missing from this installment. When watched as a whole, however, I’m sure these issues will feel more balanced.
We also particularly loved the depiction of the dragon Smaug, which is certainly the result of the special effects genius work of Richard and Tonia Taylor and crew at WETA Workshop. Richard has joined us several times on 21st Century Radio® to share his first-hand accounts of creating Middle Earth with their pioneering digital technology, prosthetics, makeup, costumes, and miniatures. This multiple-Oscar-winning team made it all, so it’s no wonder Smaug looks so realistic that we got through the whole film without once pausing to notice it was a special effect and not the real thing. Listen over at our special mini-site for TolkienInterviews.com!
The action rolls along at a good pace, and at the end of two hours and 45 minutes it didn’t feel long. The 3-D effects were just enough to make it worth seeing this film in theaters wearing glasses. Here’s a tip for the best enjoyment of 3-D movies from my friend Chris Kaltenbach of the Baltimore Sun: sit in the center of the row and as close to the front as you can. Wow!
Just like with everything I’ve seen of Peter Jackson’s, I give this film 10 stars! Thank you very much for another job well done. Now, here I sit in anticipation looking forward to the day when your third Hobbit is released on extended version DVD, and I can enjoy an 18-hour marathon viewing of the entire series from beginning to end.
Speaking as a decades-long Tolkien junkie, my review of any dramatization of his works is going to be biased. Nor can I come to this review of “The Hobbit: An Unexpected Journey” as a film critic who would try to evaluate a film adaptation purely on its cinematic qualities. Because of the dozens of times I have read these tomes, I will constantly analyze any Tolkien dramatization for every detail of how it differs from the original.
But what I’ve come to expect from Peter Jackson is that he never disappoints me. I’ll admit, I was a bit puzzled over how he was going to stretch a single novel (which is essentially a children’s story based on the bedtime stories Tolkien told to his children), into three long films. As I watched the opening scenes, however, it took about a minute for this concern to evaporate completely. I remember now that every time I watch a Peter Jackson Tolkien production all I ever say is “I want more!!!”
My favorite intricacies in his version of “The Hobbit” part 1 include the scenes with the lesser-known wizard Radagast the Brown, whose rabbit-pulled sleigh outruns and outsmarts an army of orcs and wargs. I also loved how Jackson worked in a secret council between Galadriel, Saruman, Elrond and Gandalf, which reveals much about the inner workings and hidden motives of all these complex characters. But the best scene I thought was how he depicted Gollum losing the ring. I loved the sensitive and touching scenes between Bilbo and Gollum, and once again praise the characterizations of the talented Andy Serkis for bringing such pathos to a distasteful character. Read the transcript of Andy Serkis’ interview on 21st Century Radio online. The riddle contest in Jackson’s interpretation was particularly enjoyable.
It requires a lot of commitment, but I highly recommend everyone get as thoroughly entrenched in Tolkien as I do before you watch this film. My favorite is the Recorded Books production unabridged reading of all four books read by Rob Inglis, but I also enjoy regular listenings to the BBC radio play dramatization. I listen to these at least once a year, both The Hobbit and Lord of the Rings, and even before these audio productions were released in the 1990s, my family and I would read the books aloud to each other on long car trips starting in the 1970s. During these “Before Jackson” years, I remember dreaming of the day when a film could be made, and we could revel in the visual enjoyment of these vivid and compelling stories.
I was thrilled with the Bankin/Rass animated features of 1977 even though they leave a lot to be desired. They were a valiant and honorable attempt for the technologies available at the time. We had to wait for Peter Jackson and WETA Workshop to develop the technology in CGI to appreciate a truly visual experience that allows us to completely suspend our disbelief. And somehow they have outdone themselves completely with “The Hobbit”, with even more convincing graphics and effects than the 17-Oscar winning “Lord of the Rings” trilogy of almost 10 years ago.
As I said to Richard Taylor, head of WETA Workshop on 21st Century Radio a few weeks ago they had a lot to live up to, because in my estimation, they had set the bar so high with perfection in the first trilogy! He promised us that somehow, they had managed to surpass their previous efforts, and told us to watch particularly for the makeup and prosthetics they invented for the 13 Dwarves in “The Hobbit”. Even in the long shots from a helicopter you can tell one dwarf from the other. Each one has a distinct personality and look. Way to go Richard! (www.WETAfx.co.nz) Thanks to you and Peter Jackson and your teams, we can revel in the visual thrills of Tolkien’s mythology again and again.
If you were concerned like me with the possibility that “The Hobbit” would feel overly long, or stretched into three movies when it should have been one, never fear! What you’ll find is that Peter Jackson has made an action-packed adult film for the new millennium that will appeal to all movie-goers, regardless of their appreciation of Tolkien. At the same time, his attention to detail will supremely satisfy the Tolkien junkies like me. He maintains the whimsy of the characters and the humor of Tolkien’s dialogue while expanding the story gleaned from details in the appendices to the Lord of the Rings. As Jackson said: “We’ve got the rights to adapt what would be the appendices from the Return of the King, about 125 pages of material [where] Tolkien was writing about what was happening outside the pages of the Hobbit in Middle Earth at the exact same time. So we are doing sort of the Hobbit-supersized with all this extra material.”
You’ll find this and more great quotes from behind the scenes plus fantastic photos in Rolling Stone’s Collectors Edition of The Hobbit, the Ultimate Guide. This guide includes a poster of the dwarves as you’ve never seen them, a map of Middle Earth, and a series of entertaining interviews. I found it most revealing to read Peter Jackson say: “We’re humans and we’re always going to want stories. We’re always going to want things that affect our emotions.”
Well, this film affects the emotions all right, as well as the heart and mind. When you leave the theater you will find yourself more inspired than if you’d just finished reading the book version. I like to see the deeper meanings and symbolic importance of any story, and with “The Hobbit”, I see the personal transformation of an English country gentleman and total loafer into a hero – a transformation that affects his entire world, the entire Middle Earth. All our actions and decisions impact our entire universe as well. It’s just sometimes it’s more noticeable than others.
“The Hobbit: An Unexpected Journey” deserves a bushelful of awards from around the world. My family and I plan to see it repeatedly this season, and will buy the DVD as soon as it’s released and will add its viewing to our holiday annual traditions. Plus we have something to look forward to in 2013 and 2014 when parts 2 and 3 are released!
Drawn to the Streets: 10 Highlights from the Baltimore Murals Project
By Chris Kaltenbach / The Baltimore Sun
Who knew that brick walls could be made so alive?
The granddaddy of Baltimore’s outdoor art scene, the city’s mural program has spent the past 25 years turning walls into works of art. Since 1987, some 175 murals have popped up throughout the city. These vibrantly colorful islands of artistic creativity and neighborhood pride range from the puckish (a group of swine on a Pigtown wall) to the inspirational (Thurgood Marshall, Clarence M. Mitchell Jr. and other African-American leaders on the side of a house in Marble Hill).
“What these artists are doing is kind of like magic,” says Bob Hieronimus, a longtime Baltimore muralist, author and radio-show host whose work decorates a wall outside the Safe and Smart Center in Waverly, the neighborhood where he grew up. “Their work really uplifts certain neighborhoods; they become proud of them.
In fact, the outdoor art movement is gaining momentum throughout the city. Earlier this week, Walters Art Museum officials announced a plan to install reproductions of 21 pieces from their collection at outdoor sites throughout the city. And Saturday, Highlandtown’s Creative Alliance is unveiling “Zim Zum,” and outdoor- and indoor-art exhibition featuring the work of street artists Gaia, Michael Owen and MOMO.
We asked officials from the Baltimore Office of Promotion & the Arts, which oversees the mural program, to pick out their favorites. Ten are featured here; the whole list of 50, along with an interactive map showing where to find them, can be found at baltimoresun.com/entertainment.
“A Little Help from Our Friends” the 27 foot x 67 foot mural located at Johns Hopkins University’s Office of Volunteer Services. Artist Dr. Bob Hieronimus, August 1996. “Our Friends” included: Mahatma Gandhi, Jackie Joyner-Kersee, Liu Gang, ET, Yellow Submarine, Rachel Carson, Bob Marley, Bob Dylan, Martin Luther King, Jr., Harriet Tubman, Robert Levi and Leon Day.
National Arts Club Presents The Secret Life of Lady Liberty December 20, 2016
Co-authors of The Secret Life of Lady Liberty, Dr. Bob Hieronimus (above left) and Laura E. Cortner (above right) enjoying the rich ambience of the National Arts Club during a visit in 2014 — very pleased to be returning in 2016 to present on their new book at the National Arts Club on December 20.
The Secret Life of Lady Liberty
by Robert Hieronimus and
Laura Cortner
Tuesday, December 20
8:00 PM
We are truly honored to be invited by the prestigious National Arts Club in New York City to give a visual presentation of “The Secret Life of Lady Liberty” on December 20th, 2016 at 8 PM. The event is open to the public, and one of our VIP guests will be Congresswoman Carolyn Maloney (D-NY), staunch supporter of gender equality and the essential message behind the Secret Life of Lady Liberty. Join us for a visual presentation based on the rich illustrations featured in the new book The Secret Life of Lady Liberty: Goddess in the New World.
The authors reveal fresh perspectives on the symbolism of the 130-year-old copper lady in the New York Harbor. Appreciating the Statue of Liberty specifically as America’s goddess, they say, can inspire activism by acknowledging the female half of divinity — a fundamental step to lasting gender equality.
Seeing Lady Liberty essentially as a woman confident in her own power, they trace her lineage back to the Neolithic Earth Mother, Mary Magdalene, Minerva, Joan of Arc, the savage “Indian Queen” and the Revolutionary generation’s “Indian Princess.” They also reveal the sharp contrast between depicting “liberty” as a female, the reality of women, and the suffragists’ claim of “Giant Hypocrisy.”
Robert Hieronimus, Ph.D., is an internationally known historian, visual artist, radio host, and member of the NAC. He has appeared on History, Discovery, BBC, and National Geographic. Laura E. Cortner has co-authored previous titles with Hieronimus including Founding Fathers, Secret Societies and United Symbolism of America.
Both Drs. Bob and Zohara Hieronimus are artists and both are members of the National Arts Club. Left: Dr. Zohara Hieronimus on a 2007 visit to the National Arts Club. Right: Dr. Bob entertains daughters Anna Hieronimus and Mar— Hieronimus at the National Arts Club in 2009 for an exhibit about Chinese revolutionaries including Bob’s portrait of Gang Liu in the background.
We are truly honored to be invited by the prestigious National Arts Club in New York City to give a visual presentation of “The Secret Life of Lady Liberty” on December 20th, 2016 at 8 PM. The event is open to the public, and one of our VIP guests will be Congresswoman Carolyn Maloney (D-NY), staunch supporter of gender equality and the essential message behind the Secret Life of Lady Liberty.
Actress Patricia Arquette meets with House Democratic Leader Nancy Pelosi, Rep. Carolyn Maloney (D-NY), Rep. Doris Matsui (D-CA) and Rep. Lois Frankel (D-FL) pose for a photo during a “When Women Succeed, America Succeeds” discussion at the US Capitol on April 13, 2016 in Washington, DC.
Thank you letter (above) from Congresswoman Carolyn Maloney after receiving The Secret Life of Lady Liberty. Dr. Bob and Rep. Carolyn Maloney together at the National Arts Club in 2009 (below).
The National Arts Club was founded in 1898 by New York Times critic Charles De Kay. Located in the historic Samuel Tilden Mansion in Gramercy Park in New York City, its mission is “to stimulate, foster, and promote public interest in the arts and to educate the American people in the fine arts.” Its membership has included many distinguished artists, composers, architects, and three U.S. presidents. Well-ahead of the times, it has welcomed women from the very beginning.
The Club hosts both members-only and public events, including exhibitions, theatrical and musical performances, lectures and readings. Additionally, it maintains a renowned collection of American art in its four galleries.
The Club’s Membership has included three U.S. Presidents: Theodore Roosevelt, Woodrow Wilson and Dwight D. Eisenhower. Renowned for its expansive American art collection, the National Arts Club is proud of its early recognition of innovative art media such as photography, film and digital media.
The historic Samuel Tilden Mansion is the current home of the National Arts Club. In 1906, when the Club outgrew its first home on 34th Street, the Club acquired the historic Samuel Tilden Mansion as its new home. The Tilden Mansion occupies 14 and 15 Gramercy Park South; both houses were built in the 1840s; and the original flat-front, iron-grilled brownstones matched the style of the homes still maintained on the west side of Gramercy Park. Samuel Tilden, the 25th Governor of New York, acquired 15 Gramercy Park South in 1863, purchased the adjacent house a few years later and gave the conjoined mansions a complete redesign. Tilden hired Calvert Vaux, a famed architect and one of the designers of Central Park, to modernize the façade with sandstone, bay windows and ornamentation in the Aesthetic Movement style. John LaFarge created stained glass panels for the interior of the mansion; and sculptors from the firm of Ellin and Kitson created elaborate fireplace surrounds, bookcases and doors. Glass master Donald MacDonald fashioned a unique stained glass dome for Tilden’s library that crowns the room where the bar is now located.
In 1966 New York City Landmarks Preservation Commission declared 15 Gramercy Park South a New York City Landmark; and in 1976 the Federal government designated the building a National Historic Landmark.
The Statue of Liberty is an Energizing Symbol. Just look at the current crop of political cartoons showing her at odds with, or violated by, president-elect Trump. Hollywood has also discovered her visceral impact on viewers and have taken to destroying her again and again in multiple disaster films of the last decade. Most Americans, in fact most Earth beings, associate the Statue of Liberty with the self-identity of Americans.
On December 20th at the National Arts Club in New York City, in the visual presentation “What the Statue of Liberty Can Teach Us About Americans Authors Today,” Robert R. Hieronimus, Ph.D., and Laura E. Cortner will reveal the “Secret Life” of Lady Liberty. Lady Liberty’s ancestral background is steeped in the Goddess-worshipping cultures, and learning to see the Statue of Liberty as a powerful depiction of divinity in female form can energize America toward a more compassionate future.
See how the Statue of Liberty has been used through the decades as a rallying symbol for suffragists, women’s lib activists, civil rights protestors, and those both pro- and anti-immigration. See depictions of Black Americans’ strained relationship with Lady Liberty, and the historical precedent in slave imagery of the Virgin of Regla with her dark skin holding a pale skinned child. See the earliest propaganda uses of Lady America based on Native American concepts distorted to fit the American liberty goddess image, reminding Euro-Americans of our strong Native American roots.
From social justice and labor organizers, to capitalists and pro-business advocates, everyone uses the Statue of Liberty to stand for “them.” That she is a God in female form is mostly forgotten or ignored. Accepting the Statue of Liberty as our American Goddess — or acknowledging the divine female as part of the American tradition — could help shift Americans’ self-identity to one rooted more firmly in compassion. Because when we learn to accept that divinity can manifest in male as well as female form, we learn to recognize not only that life is sacred, but that we all have a responsibility to each other to keep it that way. Despite the suppression of the goddess in our Judeo-Christian society, humanity yearns for the goddess. Just look at all the substitutes that pop up from the Virgin Mary, to calling actresses or pop singers “divas,” which literally means “goddesses” in Italian.
As the female half of our conscience, the Statue of Liberty is all about finding balance. Read this book to learn how her history as a goddess can inspire you to find your mission in life and activate it.
Photos from the January 21, 2017 Women’s Marches Left, Washington, DC, courtesy of Mobilus in Mobili / CC BY-SA 2.0; Right, Los Angeles, CA, Larissa Puro / CC BY 2.0
Tonight’s show on January 22, 2017 is the first one we’ve produced under the new empire.
We have a new president.
The majority of Americans do not support him, and in fact, our new president has even less support around the planet. This solidarity AGAINST what he stands for was clearly demonstrated on both Friday and Saturday this past week with the low turnout at the inauguration, followed by the massive PLANET-WIDE turnout on Saturday of people disclaiming association with him. His supporters are a diminishing 40% of Americans, who are among the least educated in America. Sadly, by endorsing him, these people are stating their acceptance that women are NOT the equals of men, especially Republican men.
Marchers passing the Washington Monument. Credit: Jason Wu / CC BY 2.0
In hour two of 21st Century Radio on January 22, 2016, we’ll talk to our international correspondent Joe Honick and examine the unlawful help granted the Trump win by the FBI, and the insidious help from the Russian President. No question Putin shares with our new president the belief that women need to be punished for taking control over their own bodies. It is now once again legal to beat your wife in Russia, because they stated it “restores the natural order of things.” The 2016 presidential election was indeed fraudulent and should be nullified. I am not the only one already claiming this is an impeachable offence.
How did we get here? It happened when corporate powers sealed their control of our government. As I’ve been warning for decades now, we are no longer living in either a democracy or a republic. The United States of America is now run as an oligarchy. Today, the 1% is unabashedly in charge.
In hour one of 21st Century Radio on January 22, 2016, we will ask two wisdom keepers from the Iroquois tradition for guidance from both their prophecies for the future, and their wisdom from their ancient past. Our guests are husband and wife team Mohawk Doug George Kanentiio and Oneida Joanne Shenandoah. Both of them have joined us previously on 21st Century Radio, and we learned an enormous amount from them that went into our new book, The Secret Life of Lady Liberty. As I reviewed the Iroquois prophecies about the coming environmental upheaval, I was dismayed to see many parallels to the visions of the future that I painted into my 2,700 square foot Johns Hopkins University mural called The Apocalypse nearly a half century ago!
Millions of women voted this election and they have the Iroquois to thank! In all my books about the hidden symbolism of the United States, I have acknowledged the hidden element of influence that was responsible for the success of the American Revolution. It was the essential truths about self-government learned by our founders from the League of the Iroquois or Haudenosaunee, people like Ben Franklin, George Washington, John Adams, and Thomas Paine to name a few. These are just a few of our founders who modeled themselves after the League of the Iroquois after realizing these Native Americans had created a long-lasting democratic republic by 1142 AD. In all our books (including America’s Secret Destiny (1989), Founding Fathers Secret Societies (2006), United Symbolism of America (2008), and especially in The Secret Life of Lady Liberty (2016) ) we have documented how it was the Native American WOMEN who were the key to the success of our planet’s oldest and most successful democratic Republic— which still exists today 800 years later!
Our guests in this first hour are Dr. Joanne Shenandoah and Doug George Kanentiio. Joanne Shenandoah is one of “America’s most celebrated and critically acclaimed Native American musicians of her time,” according to the Associated Press. She is a Grammy Award winner along with multiple other awards for her music, and a promoter of peace through music for planetary sustainability in trust for future generations. A direct descendent of the famed Oneida Chief Shenandoah, who was a friend and ally of George Washington, Joanne Shenandoah is a founding board member of the Hiawatha Institute for Indigenous Knowledge, a nonprofit educational facility based on Iroquois principles. In 2014 she served as co-chair for the Department of Justice Attorney General’s National Task Force of Children Exposed to Violence, and she is celebrated with the honor of East-West Interfaith Ministry as “a bridge for peace in and among all cultures and spiritual traditions.”
Doug George-Kanentiio is a member of the Bear Clan of the Mohawk Nation at Akwesasne in New York. A former editor of Akwesasne Notes and Indian Times, he is on the board of directors of the National Museum of the American Indian, and also serves on various committees of the Mohawk Nation in respect to land claims, taxation, and a number of other contemporary issues. An award-winning columnist, he has served as advisor, producer, and scriptwriter for national television documentaries on Iroquois subjects. His books include Iroquois Culture and Commentary, and Indian on Fire.
Our second hour guest is international correspondent Joseph J. Honick, a consultant to business and government and writer for many publications. He welcomes your Email comments at joehonick@gmail.com, and you can find him on Facebook at facebook.com/joehonick.
Our President Tells the Truth only 4% of the Time
What does that mean to American Liberty?
A revealing tour through recent Statue of Liberty-themed cartoons and headlines…
What is Lady Liberty* going to do about it? *Lady Liberty, along with all the men and women inspired by the goddess energy inside her, that is…
What do the propagandists behind Donald Trump think about the Statue of Liberty?
This Statue of “Liberation through Christ” actually exists in Memphis, Tennesee.
Trump’s conspiracy idea man Alex Jones says: “Please forget the Statue of Liberty. It’s a symbol of propaganda. We should stop worshipping it and bending down to every Third World population that shows up with TB and leprosy.”
Trump’s Secretary of Energy Rick Perry follows a pastor who preaches the Statue of Liberty is a demonic “Whore of Babylon” that should be destroyed and replaced with a cross.
Find inspiration and ideas from the Real Women in history who fought for a truer meaning of American liberty…
According to Politifact “A whopping 70 percent of Trump’s statements during the campaign were false” In fact, Donald Trump’s statements are ranked as “True” only 4% of the time. Adding to that number the “Mostly True” (12%) and “Half True” (14%) statements means that over two-thirds of what comes out of his mouth is a lie. https://www.politifact.com/personalities/donald-trump/ “Compare that to the politician Trump dubbed “crooked,” Hillary Clinton: Just 26 percent of her statements were deemed false.” Read more.
Speaking as a decades-long Tolkien junkie, my review of any dramatization of his works is going to be biased. Nor can I come to this review of “The Hobbit: An Unexpected Journey” as a film critic who would try to evaluate a film adaptation purely on its cinematic qualities. Because of the dozens of times I have read these tomes, I will constantly analyze any Tolkien dramatization for every detail of how it differs from the original.
But what I’ve come to expect from Peter Jackson is that he never disappoints me. I’ll admit, I was a bit puzzled over how he was going to stretch a single novel (which is essentially a children’s story based on the bedtime stories Tolkien told to his children), into three long films. As I watched the opening scenes, however, it took about a minute for this concern to evaporate completely. I remember now that every time I watch a Peter Jackson Tolkien production all I ever say is “I want more!!!”
My favorite intricacies in his version of “The Hobbit” part 1 include the scenes with the lesser-known wizard Radagast the Brown, whose rabbit-pulled sleigh outruns and outsmarts an army of orcs and wargs. I also loved how Jackson worked in a secret council between Galadriel, Saruman, Elrond and Gandalf, which reveals much about the inner workings and hidden motives of all these complex characters. But the best scene I thought was how he depicted Gollum losing the ring. I loved the sensitive and touching scenes between Bilbo and Gollum, and once again praise the characterizations of the talented Andy Serkis for bringing such pathos to a distasteful character. Read the transcript of Andy Serkis’ interview on 21st Century Radio online. The riddle contest in Jackson’s interpretation was particularly enjoyable.
It requires a lot of commitment, but I highly recommend everyone get as thoroughly entrenched in Tolkien as I do before you watch this film. My favorite is the Recorded Books production unabridged reading of all four books read by Rob Inglis, but I also enjoy regular listenings to the BBC radio play dramatization. I listen to these at least once a year, both The Hobbit and Lord of the Rings, and even before these audio productions were released in the 1990s, my family and I would read the books aloud to each other on long car trips starting in the 1970s. During these “Before Jackson” years, I remember dreaming of the day when a film could be made, and we could revel in the visual enjoyment of these vivid and compelling stories.
I was thrilled with the Bankin/Rass animated features of 1977 even though they leave a lot to be desired. They were a valiant and honorable attempt for the technologies available at the time. We had to wait for Peter Jackson and WETA Workshop to develop the technology in CGI to appreciate a truly visual experience that allows us to completely suspend our disbelief. And somehow they have outdone themselves completely with “The Hobbit”, with even more convincing graphics and effects than the 17-Oscar winning “Lord of the Rings” trilogy of almost 10 years ago.
As I said to Richard Taylor, head of WETA Workshop on 21st Century Radio a few weeks ago they had a lot to live up to, because in my estimation, they had set the bar so high with perfection in the first trilogy! He promised us that somehow, they had managed to surpass their previous efforts, and told us to watch particularly for the makeup and prosthetics they invented for the 13 Dwarves in “The Hobbit”. Even in the long shots from a helicopter you can tell one dwarf from the other. Each one has a distinct personality and look. Way to go Richard! (www.WETAfx.co.nz) Thanks to you and Peter Jackson and your teams, we can revel in the visual thrills of Tolkien’s mythology again and again.
If you were concerned like me with the possibility that “The Hobbit” would feel overly long, or stretched into three movies when it should have been one, never fear! What you’ll find is that Peter Jackson has made an action-packed adult film for the new millennium that will appeal to all movie-goers, regardless of their appreciation of Tolkien. At the same time, his attention to detail will supremely satisfy the Tolkien junkies like me. He maintains the whimsy of the characters and the humor of Tolkien’s dialogue while expanding the story gleaned from details in the appendices to the Lord of the Rings. As Jackson said: “We’ve got the rights to adapt what would be the appendices from the Return of the King, about 125 pages of material [where] Tolkien was writing about what was happening outside the pages of the Hobbit in Middle Earth at the exact same time. So we are doing sort of the Hobbit-supersized with all this extra material.”
You’ll find this and more great quotes from behind the scenes plus fantastic photos in Rolling Stone’s Collectors Edition of The Hobbit, the Ultimate Guide. This guide includes a poster of the dwarves as you’ve never seen them, a map of Middle Earth, and a series of entertaining interviews. I found it most revealing to read Peter Jackson say: “We’re humans and we’re always going to want stories. We’re always going to want things that affect our emotions.”
Well, this film affects the emotions all right, as well as the heart and mind. When you leave the theater you will find yourself more inspired than if you’d just finished reading the book version. I like to see the deeper meanings and symbolic importance of any story, and with “The Hobbit”, I see the personal transformation of an English country gentleman and total loafer into a hero – a transformation that affects his entire world, the entire Middle Earth. All our actions and decisions impact our entire universe as well. It’s just sometimes it’s more noticeable than others.
“The Hobbit: An Unexpected Journey” deserves a bushelful of awards from around the world. My family and I plan to see it repeatedly this season, and will buy the DVD as soon as it’s released and will add its viewing to our holiday annual traditions. Plus we have something to look forward to in 2013 and 2014 when parts 2 and 3 are released!
Drawn to the Streets: 10 Highlights from the Baltimore Murals Project
By Chris Kaltenbach / The Baltimore Sun
Who knew that brick walls could be made so alive?
The granddaddy of Baltimore’s outdoor art scene, the city’s mural program has spent the past 25 years turning walls into works of art. Since 1987, some 175 murals have popped up throughout the city. These vibrantly colorful islands of artistic creativity and neighborhood pride range from the puckish (a group of swine on a Pigtown wall) to the inspirational (Thurgood Marshall, Clarence M. Mitchell Jr. and other African-American leaders on the side of a house in Marble Hill).
“What these artists are doing is kind of like magic,” says Bob Hieronimus, a longtime Baltimore muralist, author and radio-show host whose work decorates a wall outside the Safe and Smart Center in Waverly, the neighborhood where he grew up. “Their work really uplifts certain neighborhoods; they become proud of them.
In fact, the outdoor art movement is gaining momentum throughout the city. Earlier this week, Walters Art Museum officials announced a plan to install reproductions of 21 pieces from their collection at outdoor sites throughout the city. And Saturday, Highlandtown’s Creative Alliance is unveiling “Zim Zum,” and outdoor- and indoor-art exhibition featuring the work of street artists Gaia, Michael Owen and MOMO.
We asked officials from the Baltimore Office of Promotion & the Arts, which oversees the mural program, to pick out their favorites. Ten are featured here; the whole list of 50, along with an interactive map showing where to find them, can be found at baltimoresun.com/entertainment.
“A Little Help from Our Friends” the 27 foot x 67 foot mural located at Johns Hopkins University’s Office of Volunteer Services. Artist Dr. Bob Hieronimus, August 1996. “Our Friends” included: Mahatma Gandhi, Jackie Joyner-Kersee, Liu Gang, ET, Yellow Submarine, Rachel Carson, Bob Marley, Bob Dylan, Martin Luther King, Jr., Harriet Tubman, Robert Levi and Leon Day.
National Arts Club Presents The Secret Life of Lady Liberty December 20, 2016
Co-authors of The Secret Life of Lady Liberty, Dr. Bob Hieronimus (above left) and Laura E. Cortner (above right) enjoying the rich ambience of the National Arts Club during a visit in 2014 — very pleased to be returning in 2016 to present on their new book at the National Arts Club on December 20.
The Secret Life of Lady Liberty
by Robert Hieronimus and
Laura Cortner
Tuesday, December 20
8:00 PM
We are truly honored to be invited by the prestigious National Arts Club in New York City to give a visual presentation of “The Secret Life of Lady Liberty” on December 20th, 2016 at 8 PM. The event is open to the public, and one of our VIP guests will be Congresswoman Carolyn Maloney (D-NY), staunch supporter of gender equality and the essential message behind the Secret Life of Lady Liberty. Join us for a visual presentation based on the rich illustrations featured in the new book The Secret Life of Lady Liberty: Goddess in the New World.
The authors reveal fresh perspectives on the symbolism of the 130-year-old copper lady in the New York Harbor. Appreciating the Statue of Liberty specifically as America’s goddess, they say, can inspire activism by acknowledging the female half of divinity — a fundamental step to lasting gender equality.
Seeing Lady Liberty essentially as a woman confident in her own power, they trace her lineage back to the Neolithic Earth Mother, Mary Magdalene, Minerva, Joan of Arc, the savage “Indian Queen” and the Revolutionary generation’s “Indian Princess.” They also reveal the sharp contrast between depicting “liberty” as a female, the reality of women, and the suffragists’ claim of “Giant Hypocrisy.”
Robert Hieronimus, Ph.D., is an internationally known historian, visual artist, radio host, and member of the NAC. He has appeared on History, Discovery, BBC, and National Geographic. Laura E. Cortner has co-authored previous titles with Hieronimus including Founding Fathers, Secret Societies and United Symbolism of America.
Both Drs. Bob and Zohara Hieronimus are artists and both are members of the National Arts Club. Left: Dr. Zohara Hieronimus on a 2007 visit to the National Arts Club. Right: Dr. Bob entertains daughters Anna Hieronimus and Mar— Hieronimus at the National Arts Club in 2009 for an exhibit about Chinese revolutionaries including Bob’s portrait of Gang Liu in the background.
We are truly honored to be invited by the prestigious National Arts Club in New York City to give a visual presentation of “The Secret Life of Lady Liberty” on December 20th, 2016 at 8 PM. The event is open to the public, and one of our VIP guests will be Congresswoman Carolyn Maloney (D-NY), staunch supporter of gender equality and the essential message behind the Secret Life of Lady Liberty.
Actress Patricia Arquette meets with House Democratic Leader Nancy Pelosi, Rep. Carolyn Maloney (D-NY), Rep. Doris Matsui (D-CA) and Rep. Lois Frankel (D-FL) pose for a photo during a “When Women Succeed, America Succeeds” discussion at the US Capitol on April 13, 2016 in Washington, DC.
Thank you letter (above) from Congresswoman Carolyn Maloney after receiving The Secret Life of Lady Liberty. Dr. Bob and Rep. Carolyn Maloney together at the National Arts Club in 2009 (below).
The National Arts Club was founded in 1898 by New York Times critic Charles De Kay. Located in the historic Samuel Tilden Mansion in Gramercy Park in New York City, its mission is “to stimulate, foster, and promote public interest in the arts and to educate the American people in the fine arts.” Its membership has included many distinguished artists, composers, architects, and three U.S. presidents. Well-ahead of the times, it has welcomed women from the very beginning.
The Club hosts both members-only and public events, including exhibitions, theatrical and musical performances, lectures and readings. Additionally, it maintains a renowned collection of American art in its four galleries.
The Club’s Membership has included three U.S. Presidents: Theodore Roosevelt, Woodrow Wilson and Dwight D. Eisenhower. Renowned for its expansive American art collection, the National Arts Club is proud of its early recognition of innovative art media such as photography, film and digital media.
The historic Samuel Tilden Mansion is the current home of the National Arts Club. In 1906, when the Club outgrew its first home on 34th Street, the Club acquired the historic Samuel Tilden Mansion as its new home. The Tilden Mansion occupies 14 and 15 Gramercy Park South; both houses were built in the 1840s; and the original flat-front, iron-grilled brownstones matched the style of the homes still maintained on the west side of Gramercy Park. Samuel Tilden, the 25th Governor of New York, acquired 15 Gramercy Park South in 1863, purchased the adjacent house a few years later and gave the conjoined mansions a complete redesign. Tilden hired Calvert Vaux, a famed architect and one of the designers of Central Park, to modernize the façade with sandstone, bay windows and ornamentation in the Aesthetic Movement style. John LaFarge created stained glass panels for the interior of the mansion; and sculptors from the firm of Ellin and Kitson created elaborate fireplace surrounds, bookcases and doors. Glass master Donald MacDonald fashioned a unique stained glass dome for Tilden’s library that crowns the room where the bar is now located.
In 1966 New York City Landmarks Preservation Commission declared 15 Gramercy Park South a New York City Landmark; and in 1976 the Federal government designated the building a National Historic Landmark.
The Statue of Liberty is an Energizing Symbol. Just look at the current crop of political cartoons showing her at odds with, or violated by, president-elect Trump. Hollywood has also discovered her visceral impact on viewers and have taken to destroying her again and again in multiple disaster films of the last decade. Most Americans, in fact most Earth beings, associate the Statue of Liberty with the self-identity of Americans.
On December 20th at the National Arts Club in New York City, in the visual presentation “What the Statue of Liberty Can Teach Us About Americans Authors Today,” Robert R. Hieronimus, Ph.D., and Laura E. Cortner will reveal the “Secret Life” of Lady Liberty. Lady Liberty’s ancestral background is steeped in the Goddess-worshipping cultures, and learning to see the Statue of Liberty as a powerful depiction of divinity in female form can energize America toward a more compassionate future.
See how the Statue of Liberty has been used through the decades as a rallying symbol for suffragists, women’s lib activists, civil rights protestors, and those both pro- and anti-immigration. See depictions of Black Americans’ strained relationship with Lady Liberty, and the historical precedent in slave imagery of the Virgin of Regla with her dark skin holding a pale skinned child. See the earliest propaganda uses of Lady America based on Native American concepts distorted to fit the American liberty goddess image, reminding Euro-Americans of our strong Native American roots.
From social justice and labor organizers, to capitalists and pro-business advocates, everyone uses the Statue of Liberty to stand for “them.” That she is a God in female form is mostly forgotten or ignored. Accepting the Statue of Liberty as our American Goddess — or acknowledging the divine female as part of the American tradition — could help shift Americans’ self-identity to one rooted more firmly in compassion. Because when we learn to accept that divinity can manifest in male as well as female form, we learn to recognize not only that life is sacred, but that we all have a responsibility to each other to keep it that way. Despite the suppression of the goddess in our Judeo-Christian society, humanity yearns for the goddess. Just look at all the substitutes that pop up from the Virgin Mary, to calling actresses or pop singers “divas,” which literally means “goddesses” in Italian.
As the female half of our conscience, the Statue of Liberty is all about finding balance. Read this book to learn how her history as a goddess can inspire you to find your mission in life and activate it.
Photos from the January 21, 2017 Women’s Marches Left, Washington, DC, courtesy of Mobilus in Mobili / CC BY-SA 2.0; Right, Los Angeles, CA, Larissa Puro / CC BY 2.0
Tonight’s show on January 22, 2017 is the first one we’ve produced under the new empire.
We have a new president.
The majority of Americans do not support him, and in fact, our new president has even less support around the planet. This solidarity AGAINST what he stands for was clearly demonstrated on both Friday and Saturday this past week with the low turnout at the inauguration, followed by the massive PLANET-WIDE turnout on Saturday of people disclaiming association with him. His supporters are a diminishing 40% of Americans, who are among the least educated in America. Sadly, by endorsing him, these people are stating their acceptance that women are NOT the equals of men, especially Republican men.
Marchers passing the Washington Monument. Credit: Jason Wu / CC BY 2.0
In hour two of 21st Century Radio on January 22, 2016, we’ll talk to our international correspondent Joe Honick and examine the unlawful help granted the Trump win by the FBI, and the insidious help from the Russian President. No question Putin shares with our new president the belief that women need to be punished for taking control over their own bodies. It is now once again legal to beat your wife in Russia, because they stated it “restores the natural order of things.” The 2016 presidential election was indeed fraudulent and should be nullified. I am not the only one already claiming this is an impeachable offence.
How did we get here? It happened when corporate powers sealed their control of our government. As I’ve been warning for decades now, we are no longer living in either a democracy or a republic. The United States of America is now run as an oligarchy. Today, the 1% is unabashedly in charge.
In hour one of 21st Century Radio on January 22, 2016, we will ask two wisdom keepers from the Iroquois tradition for guidance from both their prophecies for the future, and their wisdom from their ancient past. Our guests are husband and wife team Mohawk Doug George Kanentiio and Oneida Joanne Shenandoah. Both of them have joined us previously on 21st Century Radio, and we learned an enormous amount from them that went into our new book, The Secret Life of Lady Liberty. As I reviewed the Iroquois prophecies about the coming environmental upheaval, I was dismayed to see many parallels to the visions of the future that I painted into my 2,700 square foot Johns Hopkins University mural called The Apocalypse nearly a half century ago!
Millions of women voted this election and they have the Iroquois to thank! In all my books about the hidden symbolism of the United States, I have acknowledged the hidden element of influence that was responsible for the success of the American Revolution. It was the essential truths about self-government learned by our founders from the League of the Iroquois or Haudenosaunee, people like Ben Franklin, George Washington, John Adams, and Thomas Paine to name a few. These are just a few of our founders who modeled themselves after the League of the Iroquois after realizing these Native Americans had created a long-lasting democratic republic by 1142 AD. In all our books (including America’s Secret Destiny (1989), Founding Fathers Secret Societies (2006), United Symbolism of America (2008), and especially in The Secret Life of Lady Liberty (2016) ) we have documented how it was the Native American WOMEN who were the key to the success of our planet’s oldest and most successful democratic Republic— which still exists today 800 years later!
Our guests in this first hour are Dr. Joanne Shenandoah and Doug George Kanentiio. Joanne Shenandoah is one of “America’s most celebrated and critically acclaimed Native American musicians of her time,” according to the Associated Press. She is a Grammy Award winner along with multiple other awards for her music, and a promoter of peace through music for planetary sustainability in trust for future generations. A direct descendent of the famed Oneida Chief Shenandoah, who was a friend and ally of George Washington, Joanne Shenandoah is a founding board member of the Hiawatha Institute for Indigenous Knowledge, a nonprofit educational facility based on Iroquois principles. In 2014 she served as co-chair for the Department of Justice Attorney General’s National Task Force of Children Exposed to Violence, and she is celebrated with the honor of East-West Interfaith Ministry as “a bridge for peace in and among all cultures and spiritual traditions.”
Doug George-Kanentiio is a member of the Bear Clan of the Mohawk Nation at Akwesasne in New York. A former editor of Akwesasne Notes and Indian Times, he is on the board of directors of the National Museum of the American Indian, and also serves on various committees of the Mohawk Nation in respect to land claims, taxation, and a number of other contemporary issues. An award-winning columnist, he has served as advisor, producer, and scriptwriter for national television documentaries on Iroquois subjects. His books include Iroquois Culture and Commentary, and Indian on Fire.
Our second hour guest is international correspondent Joseph J. Honick, a consultant to business and government and writer for many publications. He welcomes your Email comments at joehonick@gmail.com, and you can find him on Facebook at facebook.com/joehonick.
Our President Tells the Truth only 4% of the Time
What does that mean to American Liberty?
A revealing tour through recent Statue of Liberty-themed cartoons and headlines…
What is Lady Liberty* going to do about it? *Lady Liberty, along with all the men and women inspired by the goddess energy inside her, that is…
What do the propagandists behind Donald Trump think about the Statue of Liberty?
This Statue of “Liberation through Christ” actually exists in Memphis, Tennesee.
Trump’s conspiracy idea man Alex Jones says: “Please forget the Statue of Liberty. It’s a symbol of propaganda. We should stop worshipping it and bending down to every Third World population that shows up with TB and leprosy.”
Trump’s Secretary of Energy Rick Perry follows a pastor who preaches the Statue of Liberty is a demonic “Whore of Babylon” that should be destroyed and replaced with a cross.
Find inspiration and ideas from the Real Women in history who fought for a truer meaning of American liberty…
According to Politifact “A whopping 70 percent of Trump’s statements during the campaign were false” In fact, Donald Trump’s statements are ranked as “True” only 4% of the time. Adding to that number the “Mostly True” (12%) and “Half True” (14%) statements means that over two-thirds of what comes out of his mouth is a lie. https://www.politifact.com/personalities/donald-trump/ “Compare that to the politician Trump dubbed “crooked,” Hillary Clinton: Just 26 percent of her statements were deemed false.” Read more.
We were very excited when we first heard that Meryl Streep was playing the role of British suffrage leader Emmeline Pankhurst in a new film released today entitled “Suffragette.” We assumed the film would be about the powerhouse Pankhurst mother and daughters family who led British women to the vote at the turn of the 20th century, and also hugely impacted the movement in the United States to focus on “deeds, not words.” The controversial militant approach advocated by the Pankhursts to use violent demonstrations, followed by hunger strikes when jailed, was effectively documented in the moving 2004 film “Iron Jawed Angels,” the story of the American leaders, Alice Paul and Lucy Burns, who imported these tactics and slogans to American woman suffragists.
In researching our book The Secret Life of Lady Liberty: Goddess in the New World we focused on the symbolism and imagery used by the various groups fighting for women’s rights over the long history of suffrage activism, much of which was originally conceived of by Sylvia and Christabel Pankhurst, two of Emmeline’s daughters. From what we learned about this British family of extraordinary women and their highly dramatic life story, we knew a historical drama telling their personal struggles would be a good one, and the tag line on the movie poster is “Mothers. Daughters. Rebels.” so you can see why we assumed that would be the plot of the movie.
Even the militant suffragists recognized the power of archetypal symbolism of the female divinity, and incorporated it into their literature as a means of appealing to both the status quo and those desiring change. This angel or “herald” mascot was designed by Sylvia Pankhurst and used as the logo of The Women’s Social and Political Union (WSPU), the militant suffrage organization of the Pankhurst family in the United Kingdom.
Alas, that is not what we found in the evocative film “Suffragette,” starring Carey Mulligan, Helena Bonham Carter, and British BAFTA-winner Ann-Marie Duff. Yes, Meryl Streep appears as Emmeline Pankhurst, but it’s a cameo role, and she’s only on screen for one scene. There is no mention of her daughters Christabel, who directed the militant actions of the British movement from exile in France from 1912-1913, or of Sylvia or Adela, who were both active in the British movement until being ostracized from their family over their protest against WWI. That family drama is ripe for cinema, but it’s a film we will have to wait for someone else to make.
From the United States suffrage imagery: A 1911 broadside showing the Herald symbolism of the suffrage movement published by Harriot Stanton Blatch’s organization the Women’s Political Union. The WPU focused on the rights of working women and later merged with Alice Paul’s group to become the National Woman’s Party.
What we have in “Suffragette” directed by Sarah Gavron and written by Abi Morgan is a darkly beautiful film that dramatizes how grueling it was to be a working-class woman in 1912. The acting performances in the whole film are top-notch, especially the lead Mulligan, who carries the film. Some of the cinematic artsy touches were overdone to the point of distraction, but at the same time, they helped to alleviate the misery being portrayed as the audience realizes that less than 100 years ago a man had the complete legal right to rape and beat his wife, kick her out of their home, deny her the chance to see her child, and even to arrange for it to be adopted without her consent. Women who challenged the status quo and suggested change were shunned as an embarrassment to their family and neighborhood.
Watching Mulligan transform from a drudge to a socially-awakened activist is as encouraging as it is instructive, but we still left the theater wishing there had been more historical narrative and less drama. We applaud that the working-class women who joined the activist movement are getting their own film, and this film certainly does make it clear why the suffrage movement was mostly run by elite, upper-class white women. The working-class women had even less freedom and less control over their lives than the wealthy women did, and clinging even more tenaciously to the little scraps of happiness they could find in their lives, were even less likely to rock the boat and ask for change, much less demand change. By comparison, the film “Iron Jawed Angels” featured only one token character to represent the working-class women, as that film focused on the leaders of the movement who were mostly educated women from the privileged classes. This film “Suffragette” is the underprivileged woman’s story, and within the first 10 minutes of the film it becomes clear why more working-class women did not join the fight to stand up for their own rights.
Joan of Arc was a popular national symbol in France, and when British suffragist Christabel Pankhurst fled to France to avoid arrest for her activism in London, she adopted Joan as a symbol of a strong woman challenging authority and standing for a righteous cause. The armored Joan of Arc was also used by the more militant branch of the U.S. suffragists, but later morphed into a generic Herald or an angel-like figure that appealed to a broader spectrum of women.
If you don’t know your British suffrage movement history, the film ends with a shocker that alone makes the price of admission worthwhile. But any film that turns the spotlight on the issue of how fragile women’s rights really are, how recently won, and why the battle was so hard and is still ongoing, is going to get five stars in our book.
Go see it, and take your daughters and nieces with you. Better still, take your sons and nephews as well.
The official program for the 1913 Suffrage parade in Washington DC, showing “The Herald” leading the way forward with her trumpet. In many of these suffrage parades and demonstrations women dressed as allegorical Ladies Liberty and Columbia, or this more generic “herald” of a new day.
“‘Apocalypse’ is something a lot of people have walked right by, but never seen,” says Krieger School professor and historian Stuart “Bill” Leslie of the psychedelic mural that envelops Levering Hall’s second floor. But it’s emerging from the shadows after a recent restoration of the artwork, originally painted in 1969 by acclaimed muralist Robert Hieronimus, PhD.
Funding for the “Apocalypse” facelift was provided by the Joseph and Harvey Meyerhoff Family Charitable Funds, Johns Hopkins University, and Zohara Hieronimus. Bob Hieronimus oversaw the project, which was carried out by a team of graduate students from the Maryland Institute College of Art and Hopkins. The restoration ensures that this thought-provoking conduit to a part of Hopkins history lives on for future generations.
The “Apocalypse” story begins more than a decade before Hieronimus began painting the mural. In 1953, Chester Wickwire arrived to lead Johns Hopkins’ branch of the YMCA, headquartered in Levering Hall. A social activist deeply engaged in Baltimore’s civil rights movement, Wickwire didn’t distinguish between his work in the community and his post at Hopkins. He brought speakers, artists, and musicians to perform for and spark debate among students on Levering’s second floor, first nicknamed the “Room at the Top” and, later, “Chester’s Place” in Wickwire’s honor.
“That was the one place on campus where students could really talk” about issues ranging from race relations to women’s rights to the Vietnam War, Leslie says. Wickwire sought an artist who could provide artwork that complemented his vision for Levering, and he found one very close to home.
“Hieronimus was active in local civil rights causes, and that appealed to Wickwire and what he was trying to create,” says Ella Rogers-Fett, a Krieger School senior and history major who spent much of last summer researching Wickwire’s papers. “The mural would be a fusion of the 1960s and 1970s art scene with a political conscience.”
Over the course of several months, Hieronimus created the mural. Originally slated to cover just one wall, the mural grew to cover the entire room, including its doors, the ceiling, and the stairwell. “Apocalypse” tells the story of human history in a dizzying array of colors and symbols drawn from mythology and diverse religions.
Rogers-Fett visited the mural for the first time as part of Leslie’s winter Intersession course in 2015 and says she and many of her classmates were inspired upon learning about the mural’s relationship to a history of student activism at Hopkins. That inspiration resulted in a petition her fellow students started to encourage Hopkins to divest itself from carbon-related stocks to reduce its environmental impact. Recently, Rogers-Fett visited the mural space for a meeting of social justice groups organized by the Center for Social Concern, a division of Homewood Student Affairs.
“I like the idea that student activists of today are meeting there to advance important issues,” says Rogers-Fett, who serves as a co-director of the student-run Sexual Assault Resource Unit. “We’re continuing the spirit of ‘Apocalypse.'”
Hieronimus, who calls the mural his “favorite, hardest, best, and deepest work,” insists that “Apocalypse” isn’t a depiction of the apocalypse as it’s described in the Book of Revelation.
“It’s not the end of the world. It’s the end of a cycle” of civilization rising, falling, then rising again, he says.
“It’s a Homewood campus landmark,” says Justin Williams, a senior lecturer in the Whiting School’s Department of Geography and Environmental Engineering. Williams has worked with Hieronimus to restore several of the artist’s murals around Baltimore, including “Apocalypse.” “It’s a destination site for anyone who is interested in mural art, symbolism, and the history of the university.”
Leslie, who has been tasked with writing a new history of the university, says that, more than anything else, “Apocalypse” represents a call to action. For that reason, he plans to include it in his book.
“‘Apocalypse’ is a challenging space. Bob meant for this mural to make people uncomfortable,” Leslie says. “He meant for people to think about how a university isn’t just labs and seminars and exams. The mural is deliberately provocative, and in some ways, it’s more provocative now than it was then.”
Learn more about Apocalypse and the history of social activism at Hopkins during Leslie’s Alumni Weekend talk on April 8.