Woodstock Bus VW Recreation Seeks Artist Crew

Front of the Light Bus, featuring the symbol of 7 planets and a heart at the center.


Above: Dr. Bob Hieronimus at work on the original van, 1968. Below: Bob Grimm of The Four Seasons sitting on the van at Woodstock, 1969.

Woodstock Bus VW Recreation
Seeks Artist Crew

Hieronimus & Co. is seeking five trained artists who are also curious, warm and articulate individuals to join the painting crew as we recreate a 1963 reconditioned VW camper bus into “Light,” the Woodstock Bus for a feature film documentary, starting late summer 2018.

As seen in the Baltimore Sun, July 9, 2017, Dr. Bob Hieronimus has been searching for the original Woodstock Bus he painted in 1968 that became a symbol of the Woodstock Festival after its famous photographs by the Associated Press, Rolling Stone and Life Magazine were reprinted in countless newspaper articles and CD retrospectives. Unable to locate the original, Hieronimus & Co. together with Arcadia Entertainment out of Halifax, Nova Scotia are now in the process of recreating a new Woodstock Bus with the same design on a refurbished model of the same vintage.

The entire process will be filmed for a documentary tentatively called “Finding the Light” to be distributed worldwide in conjunction with the 50th anniversary of the Woodstock Festival in 2019. In addition to being trained painters, applicants must be engaging personalities and willing to perform on camera. They must be curious about the occult symbols in the Hieronimus design and agree to study materials assigned so they are competent to speak about them and their meanings on camera.

Location of the project is a barn in Owings Mills. Expected time frame of the painting job is from approximately August 15-31, 2018 through October-November, 2018.

Responsibilities and Expectations

  • Ability to work in cramped positions for hours at a time, including some scaffolding work for the roof of the bus.
  • Flexibility and willingness to work with any and all materials as needed for unexpected revisions to the bus as repairs are made.
  • Punctuality and dedication to the project are a must. Cell phones packed away during work hours, accessible only at break times.
  • Articulate and easy speaker and good on-camera presence.
  • Willingness to study written materials on the history of the original bus and the interpretation of the symbols and messages it tells, and ability to reinterpret same for the documentary.
  • Experience painting art cars is helpful, but not necessary.
  • Patience is required. Artists will have many learning sessions with Dr. Bob Hieronimus and update meetings throughout the production. Applicants will be held to a high standard throughout and must be willing to abide by and follow his vision.

Qualifications

  • Experience in painting, trained in the fine arts.
  • Experience with or open to learning basic esoteric symbolism and ageless wisdom teachings.
  • Ability to present well on camera.

Pay is a $15 an hour, plus a line credit as contributing artist in the documentary film and related websites and promotional materials.

To Apply: Please send a resume and portfolio to Bob Hieronimus at bob@21stcenturyradio.com.

Hieronimus & Co. is committed to building a diverse community of staff, interns and artists. Individuals from all groups are encouraged to apply.

 


Was It Really 50 Years Ago Today…?

 

IT’S ALL IN THE MIND:

INSIDE THE BEATLES’ YELLOW SUBMARINE

VOL.2

ENTER TO WIN A FREE COPY OF OUR NEW BOOK AND STAY UP TO DATE ON YELLOW SUBMARINE NEWS AT OUR NEW WEBSITE:

YellowSubmarineBook.com

 


Was It Really 50 Years Ago Today…?

 

 

 

These are the test paintings originally conceived by Heinz Edelmann when he was auditioning for the job of designing the Yellow Submarine film. When the animators at TVC of London opened them in their offices, there was a gasp as everyone immediately knew they had found the style they were looking for. Edelmann was hired and later became known as the Father of Yellow Submarine Art.

Hieronimus & Co. are proud to announce the return of the Yellow Submarine in 2018!

July 17, 2018 will be the 50th anniversary of the London premiere of the iconoclastic film, The Beatles: Yellow Submarine, and all our friends are coming on board for the party! Help us to help you to celebrate “All Together Now!”

We have begun the countdown with random trivia question contests with real live prizes – Like our www.Facebook.com/YellowSubmarineBook/ page, watch our contest videos and simply comment to enter!

Sign up now on the new YellowSubmarineBook.com for alerts so you can get a jump on winning, and qualify for discounts on the new book.

Our goal is to publish by the end of Summer 2018 a volume two of our internationally acclaimed book Inside the Yellow Submarine: The Making of the Beatles Animated Classic, published by Krause in 2002. This 430-page book is recognized worldwide as being “Perfect. Anything you ever wondered about how it was done is answered in this superb book. It’s no wonder George Martin wrote the introduction for it. Unbelievable! Buy it, it belongs in your collection.” —The Netherlands Beatles Unlimited Magazine

Volume 2 of this “indispensible” book will include interviews with other essential co-creators of this film whom we discovered only after the first volume was published. Their memories of numerous hijinks on the set will be worth the price of the book itself. We will also include new information gathered on the principle co-creators such as Art Director Heinz Edelmann, Music Director Sir George Martin and the two Directors of Animation Bob Balser and Jack Stokes — all of whom have moved into the world spirit and are sorely missed.

Some of the prizes we are offering to you for answering the Yellow Sub trivia contests include collectibles like Yellow Sub wristwatches, Corgi Yellow Submarine diecast model toys, Yellow Sub coffee cups, entire sets of Yellow Sub trading collector cards, actual autographs of the co-creators of this film on Yellow Sub stationary, autographed copies of our book and Yellow Submarine Journal, and much more.

“I think what you have done is quite remarkable. It is an amazing essay on the development of a cultural icon and makes a fascinating story.” —Beatles Producer, Sir George Martin (who did indeed write the introduction)

Occupy is a failure by Joe Hoenick

OCCUPY IS A FAILURE

By Joseph J. Honick

 

Read More Joe Hoenick

America’s Mad Dash To Irrelevance: Presidential Campaign 2012

Talk About Entitlements

Peace Promises of Ahmadinejad and Hitler

To Obama And Romney: Start Acting Presidential

A Vote Is Only The Beginnning Of Democracy

Dangers Of Irrelevance … America In The World

Can America Really Afford Peace?: The Unspoken Question

HATE, HYPOCRISY AND MOB JUSTICE IN FLORIDA

THE CHINESE MUST BE LAUGHING BIG

Santorum Gone? Don’t Bet On It!

A Nation at War: Where’s the Music?

India and Bribery and ‘Progressive’ Media Hypocrisy

OCCUPY IS A FAILURE

November Fools’ Day

Can America Really Afford Peace? The Unspoken Question

Bottom Lines and Bottomless Pits

Welcome to Theater of the Absurd: AARP Board a Tougher Entry Than Congress or the Presidency

COMMENTARY: The United Nations of Hypocrisy, Part II

WHERE’S HILLARY? WHERE’S THE CABINET?

WILL A REAL WORLD LEADER PLEASE STAND?

WHAT TO BELIEVE WITH OUR NEW WAR?

WOULD OBAMA HAVE ‘INTERVENED’ AGAINST HITLER?

THE ‘OTHER’ BURDEN FOR OUR CHILDREN, GRANDCHILDREN

WHERE IS THE SHAME? WHERE IS THE COMMENT?

TROOPS’ MENTAL HEALTH
IS OFF THE NATION’S RADAR

WILL WE STILL LOVE PARADES?

LIMBAUGH IS RIGHT

COMMENTARY: Palin’s lack of control demonstrates why she is not presidential class

“Occupy” is a failure!
…..and it needn’t have been

As a longtime supporter of strong public expression by demonstrations, marches and other means on major issues to the nation and the world, I can only conclude the so called “Occupy” movement is nothing more than a failure.
Worse, it is and was a necessary effort that turned into little more than a well publicized nuisance to most places.
I am not only disappointed that this has occurred, but, as with many others, I am offended to a great extent by what this may have done to the demonstration concept elsewhere.

So what is it that has been so counterproductive despite all the hype here and around the world? After all, in most of the so-called “liberal and progressive” media, we are daily treated to the trumpets of the spread of “Occupy”?
Here, in a few nutshells, is what has turned a potentially useful movement into a major combination bore and irritant:

1. No clear message: beyond a lot of yelling, screaming and complaining, hardly any, if any, participants could tell willing media what the message was or is;

2. No leadership: there is no central sense of identifiable leadership, if any, either locally or nationally and certainly not internationally. Result: neither the public nor media already occupied with political campaigns have anywhere to go for the message if one actually exists.

Actually, I raised the possibility of such displays of dissatisfaction some months ago in a column that asked essentially: WILL WE NOW FEAR PARADES?…the idea growing out of the problems of heavy unemployment, home foreclosures and all the rest of the obvious concerns. My expectation was that someone or some group would do as many have before and produce a coherent message in writing and some accepted and respected leader personalities.
Neither has occurred.
Had either of these efforts been pursued effectively, the situation could have been more productive, perhaps even a major success.

Instead, in many places, crowds supposedly the “occupy” crowd in each location have wound up leaving public spaces in a mess and causing the local taxpayers to have to clean it up. Along with such events have come conflicts with police and others that have often deteriorated to much damage and personal injury both to demonstrators and law enforcement.
Pardon the repetition, but having marched as a very young man in that historic parade of a million people when MLK made his
“Dream speech, we all could see what it was for and how this massive collection of humanity treated the nation’s Capitol respectfully.
When gays and others have similarly demonstrated, the groups knew the value of the impressions they wanted to make and the message they wanted to convey to be successful.
None of this has been the case with the “Occupy” effort. There are those who see my view as cynical. I choose to see it as sadly realistic.

On a potentially positive side, I am told it has galvanized the participation of heretofore apolitical young people to become involved in the political process. But there is little time to see this potential pay off.

Now that the nation is engulfed in a less than civilized presidential campaign that floods the media and international fiscal and physical conflict of major importance, the likelihood is most people couldn’t care less about moaning, groaning crowds who came too late to the party and without identities that could be deciphered.

As the nation and the world stand incoherently on the brink of still newer potential wars and major political debates, fewer and fewer of those who could have helped will pay much attention.

That reality is both realistic and costly to any movement that might have made a real difference.

* * *

Joseph J. Honick is an international consultant to business and government and writes for many publications.. Honick can be reached at joehonick@gmail.com.

Orioles Magic 2012

Focus on the numbers 76 – 37 – 39 – 19 to help the O’s win!

With the Orioles nearing a chance in the play-offs, my mind has been drifting back to 1983, when I was still involved in my study of the synchronicity of lottery numbers and news headlines.

After they lost their first playoff game, I was asked by a fan to work some Orioles magic with this synchronicity system. It may have been a coincidence, but I like to think we contributed to changing that course of losing into an eventual World Series win.

Here’s an excerpt from my 1986 Warner Book, Your Personal Winning Lottery Numbers, that explains what we did. (BTW, I just found this book selling on Ebay for upwards of $120!)

WINNING TEAMS = WINNING NUMBERS?

Play-offs and World Series 1983

My interest in the theory that winning teams’ coordinates coincided with winning numbers in the state lotteries (such as the World Series and Super Bowl) was stimulated when I was approached by Cynthia Batterton (now Nadeline) a depressed Oriole fan, after the “Birds” lost their opening game in the 1983 play-offs. Cynthia asked what could be done to improve the Orioles’ chances, and I suggested concentrating on Baltimore’s longitude and latitude coordinates in hope that they would appear in the state lotteries, for I had noticed that cities in the news coincidentally had their numbers hit in the state lotteries.

Cards were made carrying Baltimore’s coordinates (longitude 76,37′, latitude 39,19′) and distributed by Cynthia’s cheering section in Memorial Stadium. I painted two 12-foot banners with the Orioles’ “magic numbers” on them. One was hung at Memorial Stadium and another was carried to Chicago’s stadium and put up by Eddie Murray. Brooks Robinson announced the numbers on national television during the Orioles’ play-offs, and Baltimore radio talk show host Alan Christian allowed me to present the idea and daily updates on his program.

The Orioles went on to win in the play-offs and World Series. The number results were the following: Baltimore’s numbers hit a total of 11 times while the opposition (Chicago and Philadelphia) hit only 3 times. Therefore, of the total number of hits (14), Baltimore had 78 percent (11 of 14)! Likewise of the 9 games in the play-offs and World Series, Baltimore won 7, or a total of 77 percent (7 of 9). Some coincidence!

(From pages 76-77 of Your Personal Winning Lottery Numbers)

I know it sounds crazy, but in addition to those mentioned above, I also remember others working with us to get these numbers out there to more people to concentrate on, like Al Bumbry, Vince Bagli, and Alan Christian, as well as the important roles played by Eddie Murray and Brooks Robinson.

I think if the O’s make it to the play-offs again this year, we should try this system again. In the meantime, check out the quarter of a century of Orioles Team Sets we’re offering for sale, in another attempt to get more people focusing on the Orioles to win!

For those of you wondering how I got into calculating lottery numbers, here’s a little back-story.

I have a life-long interest in systems like the theory of similars, synchronicity and seriality, and number codes in the Jewish and Greek Kabala, and that of Sir Francis Bacon, etc. I got especially into this research for my 1981 doctoral thesis, “A Historical Analysis of the Reverse of America’s Great Seal and its Relationship to the Ideology of Humanistic Psychology”, for Saybrook University.

In the early 1980s I grew curious about applying synchronicity to the lottery, and developed a system to study the connection. I called my system the T.O.P. system for Timing, Observation, and Practice. I was able to put this system to the test with hundreds of people after a weekly stint with Jerry Williams on WRKO Radio in Boston that went on for years, and some people won thousands of dollars following my system. Crown Books in 1985 and Warner Books in 1986 published my books on this subject, and the first one sold over 900,000 copies! I notice they are selling on Ebay today for as much as $120!

Well, this is a painstaking and time-consuming system, and it took me hours to come up with a list of numbers to predict. Needless to say, I soon grew tired of devoting my life to predicting lottery numbers, and especially to being hounded every hour of the day by people who didn’t give a hoot about the synchronicity theory, or investing their own time into the system to do it for themselves, but just barked at me “Gimme a number, Bob!” I still remember Baltimore’s quintessential crotchety old sportscaster, Charlie Eckman calling me up one night at 4 AM, “Gimme a number, Bob!”

Greed killed my desire to continue this line of research connecting longitude and latitude of news events with lottery hits.

But I’m ready to try this Orioles Magic spin-off from my lottery research if the Os make it to the playoffs again this year! Are ya’ with me?

In the meantime, start your own version of Orioles Magic by purchasing one of these Oriole Team sets! See you at the ballpark!

Memorial Tribute to Paul H. Trattner – By Dr. Bob Hieronimus

 

Believe in the Magic! Installment Number 2 of our Memorial Tributes to Paul H. Trattner, M.F.A., F.R.C.

By Dr. Bob Hieronimus

Decmber 2013

 

This is the second installment in our memorial tribute to our great friend, Paul H. Trattner, who passed into spirit on August 28, 2013. Because we are posting this in December 2013, we are focusing here on Paul’s alter ego known as “Santa Paul”. For many years, Paul was a beloved performer at holiday events and Christmas parades. Imagine visiting what you think is a standard department-store Santa only to see him captivate the crowds with his charming and innocent magic tricks. I’ll bet you all would have gone home that night believing in the magic of Santa Claus! Paul had a truly magical twinkle in his eye that came from his deep and passionate study of the esoteric mysteries of human potential, and he had a sparkling quick wit to match, always treating everyone around him with infectious chuckles.

We are very sad to miss him in the physical body, but we take comfort in knowing that he’ll be back again some day in a revised and expanded edition. Benjamin Franklin may have put it best when he wrote his own epitaph saying: “Like the cover of an old book, its contents torn out and stript of its lettering and gilding, lies here, food for worms, but the work shall not be lost; for it will, as he believed, appear once more in a new and more elegant edition revised and corrected by the author.”

As I noted in the first memorial to Brother Paul we posted here in September 2013, over 40 years ago Paul Trattner was the best student I ever had at the AUM Esoteric Study Center in Baltimore. He soon outpaced me and everyone else in the school with his mastery of the occult sciences, mystical arts and religious metaphysics. He was the only student in entire history of AUM to earn all three certificates in our curriculum.

Part of this Santa Paul memorial includes an 8-page assignment paper Paul prepared for my Symbology I course. It is a study of his astrological sun sign, Capricorn, and a quick glance will demonstrate his profound insights into the multiple levels of meanings for the goat-fish. All you Capricorns out there, consider this a present from Santa Paul. He has done your homework for you! Symbology I taught the multiple levels of meanings of your sun sign which is just a fraction of your unique being, reflecting only a segment of who you are and your multiple purposes in life. Symbols are a great journey into the adventure of your magical being!

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